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If only I’d known before then I’d be in a better place already. If I knew what I had, then I could use it more wisely. "If I knew I were alive, I could do so much better. Recorded at analogue studio Gizzard, a place that really suited the hard, fast and loud working methods of the band, engineered by Ed Deegan, a kindred spirit in experimenting and bastardizing the fuzzy edges of music, LDC have in many ways, come of age.
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The deft sax-work of Mr Terry Edwards (Madness, Gallon Drunk etc etc), who took time out from working on Yoko Ono's Meltdown Festival 'Double Fantasy' finale, to contribute, with last but not least a few guitar squiggles from meanest guitar this side of Rochester High Street, Mr Mickey Hampshire (Milkshakes, Masonics etc) completing the picture.Īll in all there are 17 tracks of the bands signature intense melee of short sharp punk, short sharp pop and darker heavier psych-outs clocking in at around 45 minutes in total.
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This time in the form of regular contributors Medway poet-cum-agit artist Sir Sexton Ming and Miss Bongo Debbie (Headcoatees, Nuns, A-Lines etc etc), plus the legendary back from the dead punk raconteur Mr Dick Scum (Armitage Shanks), songstress of love Miss Ludella Black (Masonics, Delmonas, Headcoatees) on vocals. LDC have also continued in their adopted music hall tradition of having multiple guest turns. Recorded with the regular live line up of the last 12 months (4 drummers, 3 guitars, bass and 3 different vocalists) producing the band’s blistering blend of Monks, Stingrays and Pussy Galore and like all these seminal bands, they have pulled apart the possibilities of 60s garage music and dragged them fighting and screaming into the 21st Century, albeit entirely with the vintage equipment of the day of course.
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Part prime-time partisan punk noise, part Futurist disdain with a full dose of Dadaist sense of humour. Until Obduction is released, the rules on /r/Obduction will remain fairly simple.The gnarled bloody revenge that is THE LONDON DIRTHOLE COMPANY is back with another set of tales celebrating the absurdities of life and mankind’s futile role as it stands with the ripped out still fluttering heart beating to survive against all the odds. And no matter how you choose to explore, you fall upon some heavy choices to make with substantial consequences. Either way these new worlds reveal their secrets only as you explore and coax them. Choose to have full gamer control, or simplify and explore with a simple click of the mouse. We’re building remarkable landscapes, architecture, and environments that surpass anything we’ve done before. Epic Games’ Unreal Engine 4 provides the state-of-the-art framework for Cyan to bring vibrant, new worlds to life. This is a new exploration experience for a new generation of explorers who are used to realtime worlds that unfold before their eyes. And adding to the curiosity, you stumble upon a strange, kluged kiosk that reassuredly welcomes you to “Hunrath”. But the farmhouse is just the first building in a rather bizarre little town that borders the road – curious structures that beg questions rather than provide answers. You’ve been abducted from your cozy existence and added into an alien landscape with a stereotypical, Kansas farmhouse with a white picket fence. The answer to your questions about where you are, and why you’re here, lie ahead. A curious, organic artifact falls from the starry sky and inexplicably, without asking permission, moves you across the universe. As you walk in the woods on a pristine night, a distant thunderclap demands your attention.